{"id":90730,"date":"2026-09-13T21:53:46","date_gmt":"2026-09-13T20:53:46","guid":{"rendered":"https:\/\/ktebiktebek.com\/?post_type=product&p=90730"},"modified":"2026-10-10T20:54:59","modified_gmt":"2026-10-10T19:54:59","slug":"observations-poems","status":"publish","type":"product","link":"https:\/\/ktebiktebek.com\/ar\/livre\/observations-poems\/","title":{"rendered":"Observations Poems"},"content":{"rendered":"

Observations Poems est un recueil de po\u00e8mes de Marianne Moore, publi\u00e9 dans les ann\u00e9es 1920 et consid\u00e9r\u00e9 comme une \u0153uvre majeure de la po\u00e9sie moderne am\u00e9ricaine. Cette \u00e9dition d'occasion, propos\u00e9e sur Ktebi Ktebek avec livraison en Tunisie, r\u00e9unit les po\u00e8mes que salu\u00e8rent les modernistes.<\/p>\n

\u00c9tat et d\u00e9tails de cet exemplaire<\/h2>\n

Marianne Moore’s Observations<\/i> stands with T. S. Eliot’s The Waste Land<\/i>, Ezra Pound’s early Cantos<\/i>, and Wallace Stevens’s Harmonium<\/i> as a landmark of modern poetry. But to the chagrin of many admirers, Moore eliminated a third of its contents from her subsequent poetry collections while radically revising some of the poems she retained. This groundbreaking book has been unavailable to the general reader since its original publication in the 1920s.<\/p>\n

Presented with a new introduction by Linda Leavell, the author of the award-winning biography Holding On Upside Down: The Life and Work of Marianne Moore<\/i>, this reissue of Observations <\/i>at last allows readers to experience the untamed force of Moore’s most dazzling innovations. Her fellow modernists were thrilled by her originality, her “clear, flawless” language–to them she was “a rafter holding up . . . our uncompleted building.” Equally forceful for subsequent generations, Observations<\/i> was an “eye-opener” to the young Elizabeth Bishop, its poems “miracles of language and construction.” John Ashbery has called “An Octopus” the finest poem of “our greatest modern poet.” Moore’s heroic open-mindedness and prescient views on multiculturalism, biodiversity, and individual liberty make her work uniquely suited to our times.<\/p>\n

Impeccably precise yet playfully elusive, emotionally complex but stripped of all sentiment, the poems in Observations<\/i> show us one of America’s greatest poets at the height of her powers.<\/p>\n

R\u00e9sum\u00e9 de Observations Poems<\/h2>\n

Observations est class\u00e9 aux c\u00f4t\u00e9s de The Waste Land de T. S. Eliot, des premiers Cantos d'Ezra Pound et de Harmonium de Wallace Stevens comme un jalon de la po\u00e9sie moderne. Moore en retira ensuite environ un tiers du contenu de ses recueils suivants et revit radicalement plusieurs po\u00e8mes conserv\u00e9s. Longtemps indisponible pour le grand public, ce livre est r\u00e9\u00e9dit\u00e9 avec une nouvelle introduction de Linda Leavell, biographe de Moore. Les po\u00e8mes se distinguent par leur pr\u00e9cision impeccable, leur \u00e9lusivit\u00e9 ludique et leur \u00e9motion complexe, sans sentimentalisme. Les lecteurs y retrouvent le style qui fit dire \u00e0 John Ashbery que "An Octopus" \u00e9tait le plus beau po\u00e8me de la po\u00e9tesse.<\/p>\n

\u00c0 propos de Marianne Moore , Linda Leavell (Editor)<\/h2>\n

Marianne Moore (1887-1972) est une po\u00e9tesse am\u00e9ricaine, figure majeure du modernisme. Elle dirigea la revue The Dial de 1925 \u00e0 1929 et publia une \u0153uvre marqu\u00e9e par la pr\u00e9cision de l'observation, l'attention au monde naturel et une langue aux formes inventives. Elle re\u00e7ut plusieurs distinctions, dont le prix Pulitzer de po\u00e9sie en 1952 pour ses Collected Poems.<\/p>\n

Tous les livres de Marianne Moore , Linda Leavell (Editor)<\/a><\/p>\n

Fiche du livre<\/h2>\n